Monday September 3, “Apres Mai” (“Something in the Air”), a film from France, premiered at the Venice International Film Festival. The film is directed by Olivier Assayas and stars Lola Créton, Dolores Chaplin and Victoria Ley.
In “Apres Mai,” an 18-year-old man reacts to the social changes of late 1960’s Europe.
This is the debut of the film and it is slated to be featured at the New York Film Festival in October. The film will be released in France on Wednesday, November 14.
“Apres Mai” is one of 18 films competing for the Golden Lion trophy including four films from the U.S. including:
- “Spring Breakers,” directed by Harmony Korine and stars Selena Gomez and Vanessa Hudgens
- “To The Wonder,” directed by Terence Malick and stars Rachel McAdams, Ben Affleck, Rachel Weisz and Javier Bardem
- “At Any Price,” directed by Ramin Bahrani and stars Dennis Quaid, Zac Efron, Kim Dickens and Heather Graham
- “The Master,” directed by Paul Thomas Anderson and stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams.
Six other U.S. films will be featured at the festival in the “out of competition” category. Including:
- “Enzo Avitabile Music Life,” a documentary directed by Jonathan Demme
- “Bad 25,” a documentary about Michael Jackson, directed by Spike Lee
- “The Company You Keep,” directed by Robert Redford and stars Redford with Shia LaBeouf, Julie Christie, Richard Jenkins, Susan Sarandon, Stanley Tucci and Nick Nolte
- “Disconnect,” directed by Henry-Alex Rubin and stars Alexander Skarsgård, Jason Bateman and Paula Patton
- “The Iceman,” directed by Ariel Vromen and stars Michael Shannon, Winona Ryder, Chris Evans, Ray Liotta and James Franco
- “The Reluctant Fundamentalist,” directed by Mira Nair and stars Kate Hudson, Kiefer Sutherland and Liev Schreiber
The festival runs for 11 days from August 29 through September 8.
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Whatever your movie choice this week, please remember your movie theater etiquette: silence your cell phones & no texting, please don’t talk during the film and remove your children if they become a distraction to other audience members. Don’t forget that laughing, crying and cheering are always approved behavior and even encouraged.
-Kay Shackleton is a film historian with special focus on Silent Films, see her work on SilentHollywood.com